6.7.13

Bonita Paixao

  
25 Sambas
Pagodes
1998

Tracks:

01. Banda Raça Negra - Quero Ver Você Chorar
02. Bebeto - Segura Nêga
03. Bernadete - Farsa Do Amor
04. Senti Firmeza - Abre A Roda
05. Almir Guinêto - Só Sei Que Te Amo
06. Solange - Amor Infinito
07. Trockadilho & Banda Serena - História Para Historiador
08. Pedrinho Da Flor & Luiz Carlos - Bonita Paixao ♥
09. Leci Brandão - Esqueci Você
10. Grupo Um Toque A Mais - Nas Cores Da Paixão
11. Elson - Coisa Gostosa
12. Grupo Cheio De Graca - Lá Vem O Negão
13. Eliana De Lima & Luiz Carlos - Volta Pra Ela
14. Jorge Aragão - Papel de Pão
15. Elaine Machado - Pagodeiro Bom
16. Zeca Pagodinho - Quando Eu Contar (Laiá)
17. Os Originais Do Samba - Preciso Dar Um Tempo
18. Sombrinha - Chega Devagar
19. Jovelina Pérola Negra - Amante Do Pagode
20. Royce Do Cavaco - Chegou Sua Vez
21. Grupo Fundo De Quintal - Enredo Do Meu Samba
22. Dhema - Tô Gamado Nela
23. Ircéa & Zeca Pagodinho - Quando Te Vi Chorando
24. Denny De Lima - Pagode Do Limao
25. Boca Nervosa - Samba Do Pc
  
♫☆`*♥¸¸.•*¨*•♫☆`*♥¸¸.•*¨*•☆♫

.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆♫
  
 Pagode (Portuguese pronunciation: [pa'gɔdʒi]) is a Brazilian style of music which originated in Salvador, Brazil, and quickly went down to Rio de Janeiro region, as a subgenre of Samba. Pagode originally meant a celebration with lots of food, music, dance and party. In 1978, singer Beth Carvalho was introduced to this music, in the same time appeared the Gera Samba after É o Tchan!, liked it from the beginning and recorded tracks by Zeca Pagodinho and others. Apparently, as time has gone by, the term "Pagode" has been degraded by many commercial groups who have played a version of the music full of clichés, and there is now a sense in which the term Pagode means very commercial pop, a negative term (see Pagode Romântico).

Original Pagode developed in the start of the 1980s, with the advent of the band Fundo de Quintal and the introduction of new instruments in the classical samba formation. Pagode lyricism also represented a kind of evolution towards the tradition of malicious and ironic samba lyrics, with a much heavier use of slang and underground terms.

The 4-string banjo, whose introduction is mostly credited to Almir Guineto, has a different and louder sound than the cavaco; that loudness was an advantage in acoustic environments (samba circle), where there are lots of percussion instruments and people singing along. The 4-string banjo is one of the most characteristic instruments of the pagode sound.

The tan-tan, whose introduction is credited to Sereno, is a more dynamic type of surdo, used to keep the main beat of the samba, the `heart of the samba', and played with the hands.

The hand-repique, whose introduction is credited to Ubirany, is a percussive instrument used specially for rhythmic turnarounds.
 

Bonita Paixão

Depois que encontrei você,
Minha vida iluminou, vivemos um momento lindo,
Tudo agora é amor,
Esse seu olhar brilhante, chega a me enlouquecer
Sinto que estou vivendo só pra te querer,

Você chegou, com mais bondade que um anjo bom,
A luz do quarto era azul neon,
Eu me perdi no céu de pura emoção,
Nossa paixão, é mais bonita que sol de verão
Que a lua cheia no céu do sertão,
Nada é mais bonito que nossa paixão.

~♥~

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