Showing posts with label Azat Ayytkolov. Show all posts
Showing posts with label Azat Ayytkolov. Show all posts

4.2.13

Azat Aitkul, Kurai, Ufa

  
Azat Ayytkolov
Kurai

Tracks:

01. Kart bayyk
02. Tsialkovskiy
03. Yergeyyesh
04. Synrau torna
05. Buranbay
06. Fort Perovskiy
07. Yomaguzha-Mesetle
08. Afgan keye
09. Teftileu
10. Keyelde
11. Yeyeule Mekhmut
12. Khisam khem beyyeu keyzere
13. Khandugas
14. Kakhym ture

   
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.ღ•:*´♥`*:•ღ.

♫☆`*♥¸¸.•*¨*•☆♫`*♥¸¸.•*¨*•☆

  
  
Azat Aitkul (Kura, Ufa)

Azat Minnigaleevich Aitkul - the world famous virtuoso instrumentalist in Bashkir folk wind instrument kurai (national type of reed flute). He is an Honored Artist of the Russian Federation and the People's Artist of Belarus, winner of III All-Russian competition of folk music (1986, Tula).

In one of the most beautiful parts of the republic - the Ural mountain village Yuldybaevo Zilair district famous musician was born. In these places, the plant kurai grows, predetermined his fate. He became interested in music while studying at the Ufa secondary boarding school here N1.Imenno musician met Kurai and began to comprehend the basics of playing. The growth of professional skills was continued in the class known Bashkir kursista GZ Suleymanov, who taught at the Ufa College of Art (1977), hereinafter musician graduated from the Faculty of Philology of the Bashkir Bashkir State University.
Concert activity - the meaning of life. With a lot of tours AM Aitkul traveled all over the Soviet Union as a solo instrumentalist and Gosconcert Rosconcert. Through the Department of Defense participated in concert tours in Germany, Mongolia, worked on the frontline concert brigades in Afghanistan. Foreign tour musician cover geography almost every continent of the globe. The countries of Western and Central Europe (Austria, Italy, Spain, Belgium, Holland, Denmark, Finland, Switzerland, Portugal), Middle East (Turkey), North (USA, Canada) and South America (Peru), South-East Asia ( Singapore, New Zealand), Australia applauded art musician.

Subtle understanding of the Bashkir folklore, impeccable sense of style make it different performing style. Equally deeply and completely fulfills kuraist Bashkir folk tunes instrumental nature, rooted in an epic-narrative tunes-kubairov, broaching, lyrical improvisational type ozone-kui forming a layer of folk art and recreate the spiritual search and presentation of the Bashkirs, marching songs by about historical events took place, telling about famous historical figures, heroes of the Bashkir people. Incendiary, song and dance tunes Kiska-kui (short songs) affect his performance genuine optimism, humor and cunning. Fluent technique of uzlyau ("throat-kurai") reflecting the desire of the musician to maintain and develop ne of the most difficult forms of popular music-making.

The repertoire of AM Aitkul is extensive and includes all the currently known musical patterns of national folklore. Kuraist virtuoso emerged as a sensitive assamblist constantly performing with famous Bashkir singers - People's Artist of Belarus FA Kildiyarovoy, Honored Artist of the Republic of Belarus, the winner of the International Competition B. Hyzyrovym and others to date functioning syncretic folk forms and genres, led musician organize a national group "Ural".

AM Aitkul created the technique of learning to play an instrument, allowing you to quickly master the basics of mastery. He is constantly expanding his students, developing not only solo, but ensemble and any form of execution of the Kurai.
(Trans'ation with little help from google)
source 
  

*♥*

12.5.10

Kurai 3


Азат Айытколов "Йэйэуле Мэхмут"


 
btw the story in the video is a true one so they say ...

Kurai



Kurai [ ҡурай ] a symbol of Bashkortostan
Kurai, Bashkir and Tatar wind musical instrument: a longitudinal open flute from the stem of the umbrella plant. It has 4 slot openings on the front side and 1 on the back. Length of 45-100 cm range in the amount of sixths, with pereduvaniya reaches 2-2,5 octaves.

Kurai, the name of several weed species in the forest-steppe, semi-deserts and deserts. Usually - this is tough, thorny plants, belonging to a vital form of tumbleweed.
 Quray
 
 
Bashkir music 
  
01 - Ishmorat Ilbakov - Old Qayum
02 - Azat Ayytkolov - Cialkovskij
02 - Raushan-Kurayshan - Kara Urga
03 - Fattah and Fanur Aralbaevy - Hajra handugasym
05 - Azat Ayytkolov - Buranbay
05 - Rushan Biktimirov - Hyr
06 - Ishmorat Ilbakov - mischievous Zulhira
09 - Raushan-Kurayshan - Serie

music
  
found here:

The Kurai

The kurai is the best known and most popular musical instrument of the Bashkir people. The Bashkirs express all their feelings of gladness and sorrow through the kurai. We have known about the kurai since the earliest days. The Bashkirs say: "We remember the kurai as long as we remember ourselves." For example, the Bashkir folk tune " The singing cranes", performed only with the kurai, has more than one thousand years of history. 


The most wide spread kind of kurai is a kurai made of grass. It is made from the stem of the umbelliferous plant, called kurai. The stem of a kurai is 2-3 meters long. It flowers in July, then dries out in August-September. They cut it in September and keep it in a dry and dark place. It is said that a kurai which grew up in the glade among mountains is more tuneful than one that grew up near water. One should measure 8-10 times the width of a palm encompassing the stem of a plant, then cut it. That will be the length of the kurai. Then you should make holes in the plant: the first hole must be done at four fingers distance from the top of the plant, the next three holes at two fingers distance from each other, the fifth - at the back, at three fingers distance from the fourth hole. 


The length of a kurai is about 510-810 millimeters. The diapason of a kurai consists of three octaves. The phonation is poetic and sublime, the timbre is soft. The kurai is used as a solo as well as an ensemble instrument. You can perform dancing melodies as well as marches, extended tunes (ozon-kuy). Nowadays they have begun to make a kurai from veneer. It is more stable and its sound is approximate to the natural kurai's sound. 


In addition to a grass kurai some other types of kurai are known: - sor-kurai - a sort of kurai made by the Bashkirs who lived in the steppe where the natural kurai does not grow.
It is made of steppe grass and its length is not more than one meter, but it is wider in its diameter. The specialists say it was used for calling signals. 


- copper kurai - a kurai made from copper. However, specialists disapprove of using this kind of kurai, because it is harmful for the health. But according to some legends, the skill of making a copper or silver kurai was highly esteemed and the master was revered. 


But only a good kurai-player can open the world of kurai's mystery. The art of playing the kurai was saved and carefully handed down from one generation to generation. The names of outstanding kurai-players-improvisers are well-known. They were the founders of different kurai performing schools - Kubagush-sasan, Baik-sasan, I. Murzakaev, G. Arginbaev, Y. Icyanbaev, I. Dilmukhametov, G. Suleymanov, K. Diyarov, R. Rakhimov, Y. Gaynetdinov, A. Aitkulov and others. 


There are many kurai performers: laureates and diploma-winners of International Musical Folk Festivals, International Students' and Youth Festivals and All-Russian contests of performers of rare musical instruments. The kurai is a very respected instrument in Bashkortostan. It is a symbol of the mother country. One can see the picture of a kurai flower on the national flag and Bashkortostan state emblem. From early time people considered that the kurai was able to dispel grief, to set people at rest and to cheer them up. The Bashkirs knew the strength of music and the spoken. That is why the sasans and kurai players were the guests of honor. Writers, poets and theater producers create a lot of works dedicated to kurai.